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According to Ceramics Monthly, approximately 75% of potters glaze their pieces at mid-range temperatures—and this complete studio guide eliminates the guesswork from the popular process. Along with hundreds of recipes, it explores mixing, application, specific firing and cooling cycles, and all the factors that make glazes work. See how to boost colors with intense stains, washes, and underglazes; achieve stunning results that equal high-fire glazing, and expand the frontiers of mid-range with tips for wood, salt, and soda firing.
- Sales Rank: #56013 in Books
- Brand: Britt, John
- Published on: 2014-11-04
- Original language: English
- Number of items: 1
- Dimensions: 11.21" h x .79" w x 8.85" l, .0 pounds
- Binding: Hardcover
- 192 pages
Review
"The Complete Guide to Mid-Range Glazes" is packed with information and belongs on every potter's bookshelf. It is a must for every potter's reference library. Thank you John Britt for your extensive research and in depth understanding and your ability to explain what you have learned so clearly." Suzanne Staubach (author of "Clay: The History and Evolution of Humankind's Relationship with Earth's Most Primal Element")
"Imagine you are in class with your best teacher and are presented with a concise descriptive explanation of how ceramic raw materials function in glazes. Mr. Britt has crafted information about ceramic materials and glazes, which is also covered in lesser texts, but rarely presented in such easily accessible form...Mr. Britt has explained in simple terms many elements in achieving successful cone 6 glazes and he certainly understands the subject matter." Jeff Zamek (author of many popular ceramic texts)
About the Author
John Britt has been a potter and teacher for more than 30 years. A former studio manager for the prestigious Penland School of Crafts, John currently works out of his own studio in Bakersville, in the mountains of western North Carolina. He is the glaze expert and a frequent contributor for the leading ceramics magazine, Ceramics Monthly, as well as the top ceramics website Ceramic Arts Daily. He is also an occasional contributor to nearly every other notable ceramic publication, including Ceramic Review, Studio Potter, Clay Times, and New Ceramics. Britt is the author of The Complete Guide to High-Fire Glazes, was the juror for 500 Bowls, and acted as technical editor for The Art & Craft of Ceramics (Lark) and Glaze: The Ultimate Ceramic Artist's Guide to Glaze and Color (Barron's Educational Series). John has been in over 100 shows nationally and internationally, receiving prizes, awards, and fellowships for his ceramic work.
Most helpful customer reviews
26 of 26 people found the following review helpful.
Great Book!
By V. Hutson
[[VIDEOID:77347046fcbe6419dbcc38d6d2904a0e]] I recently started doing pottery again and I have been working with Cone 6 oxidation and Cone 7 reduction glazes. I pre-ordered this book a couple months ago and it finally arrived and I love it!
The wealth of information in this book is truly impressive! It is a great book for anyone working with mid-range clay and glazes. I've included a short video of leafing through the book so you can get a general sense of the books format (text and images).
The basic chapters include:
Glaze: An Introduction
Why Fire to Cone 6?
Materials, Oxides, Colorants, and Melt Tests
Mixing Glazes
Application
Kilns and Firing
Safety
Overview of Mid-Range Glazes: Clear and White Glazes, Iron Glazes, Shino Glazes, Red Glazes, Green Glazes, Blue Glazes, Purple Glazes, Matte Glazes, Black Glazes, Yellow Glazes, Crystalline Glazes, Ash Glazes, Salt, Soda, and Wood-Fired Glazes.
Making the Most of Mid-Range Glazes
Cone Charts
Feldspar UMF Charts
Frit UMG Chart
Kiln Wash Chart
The book includes a wide variety of glazes. It is organized well with dozens of charts that group similar glazes together so you can easily see not only the appearance of the glazes but also the chemicals included in the glaze.
I believe this book is best summed up by John Britt's own words from page 7 of the book. "This book is designed to help the beginner through advanced student overcome the confusion (and perhaps fear) and to help make sense of mid-range glazes. Although it also contains hundreds of recipes, it will go beyond them to explain the principles behind the glazes. By comparing and contrasting recipes within a type and learning the way glazes work, you'll see how potters create variations within a type. This gives you a sense of freedom and allows you to create an infinite number of your own recipes."
A great book!
14 of 14 people found the following review helpful.
Beautiful and Informative, Excellent Reference Book
By ShopSmart
Received the book today. Purchased it pre-publication so I was quite eager to get it. For those familiar with John's previous book on high-fire glazes, you will find the format familiar. It is laid out with general information on glazes, preparation, application and firing (oxidation and reduction), and testing. Then an overview of many types of glazes is given, with hundreds of photographs and recipes. The photos alone are inspirational and really demonstrate the wide range of outcomes available at these mid-range temperatures.
I had spent a bunch of years working in the cone 10 range and after reading John's High-Fire book, I switched from many of my old standards to one's I found in his book. I am similarly anxious to find some improvements on cone 6 glazes I have been working with lately.
This book is really great in that it can be read at many different levels. It is pretty enough to be left on a coffee table, or perhaps, better, used as a reference for recipes, or a technical read on understanding what is chemically happening to assist in developing and altering glazes to one's own needs.
I wanted to share these impressions and I am certain more in-depth reviews will follow. I'll get back to reading and enjoying my new book.
6 of 7 people found the following review helpful.
Met all my expectations. Great book.
By JuneP
If you loved his amazing cone 10 glaze book,, you will love this one. It's not just the hundreds of cone 4-7 Oxidation and Reduction glaze recipes of every type and color, and great photos, but there are also firing schedules, technical help, problem solving, and so much more. This book should be priced a lot higher than this. It's going to be standard for many years.
It's a book for every level and if you ever thought oxidation glazes were dull and uninteresting - get this book and check out the pots - some amazing work being done at these temperatures. The timing of this book is great for me, on a personal level since age and circumstances make it impossible for me to have a large cone 10-12 soda kiln any more; but a quick perusal of the book revealed many treasures, even an oxidation pot that looks like it was soda fired, using washes. So now I'll end this review and dig deeper in this work. I'm very excited about this book. Thanks John for another amazing book!
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