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Mann's subjects are her small children (a boy, a girl and a new baby), often shot when they're sick or hurt or just naked. Nosebleeds, cuts, hives, chicken pox, swollen eyes, vomiting--the usual trials of childhood--can be alarmingly beautiful, thrillingly sensual moments in Mann's portrait album. Her ambivalence about motherhood--her delight and despair--pushes Mann to delve deeper into the steaming mess of family life than most of us are willing to go. What she comes up with is astonishing. --Vince Aletti, The Village Voice
- Sales Rank: #866938 in Books
- Published on: 2005-06-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .57" h x 11.34" w x 9.92" l, 1.86 pounds
- Binding: Hardcover
- 88 pages
Review
"[Mann's photographs] suggest that the camera is adept at depicting the desires of the subconscious as it is in rendering the shapes of everyday life."--Andy Grundberg, the New York Times
"These are photographs of my children. . . . Many of these pictures are intimate, some are fictions and some are fantastic, but most are of ordinary things every mother has seen. I take pictures when they are bloodied or sick or naked or angry. They dress up, they pout and posture, they paint their bodies, they dive like otters in the dark river."--Sally Mann, from the Introduction
"[Sally Mann] makes pictures of children--luminously beautiful black-and-white images of mysteriously elfin chidren around [her] rural home in Lexington, Virginia. These are riveting, enigmatic narrative images."--Ken Johnson, Art in America
"Her photographs are imbued with a seductive, surreal Southern sensibility. Like the writers Eudora Welty, Walker Percy, or William Faulkner, she has a great potential for telling stories. Her work pulls you in--it's very beguiling."--Davis Pratt, as quoted in the Boston Globe
"Sally Mann continues to probe the intimate life of her family and come up with startling, disquieting revelations. Mann's extraordinary picture of her nude daughter suspended like a shimmering white fish on a porch with unconcerned adults resonates in your mind like a dream."--Vince Aletti, the Village Voice
About the Author
Sally Mann has exhibited and taught nationally. Her work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Chrysler Museum, the Corcoran Gallery, the San Francisco Museum of Modern Art, and other major collections around the country. She has received grants from the NEA, the NEH, the Friends of Photography, and the John Simon Guggenheim Foundation. She lives in Lexington, Virginia, with her husband and three children, whom she continues to photograph as part of an ongoing project. All of the photographs in Immediate Family were taken with an 8-by-10-inch view camera.
Reynolds Price was born in Macon, North Carolina, in 1933. His 1962 novel A Long and Happy Life received the William Faulker Award for a notable first novel, and has never been out of print. He has published numerous other books, including Kate Vaiden, for which he received the National Books Critics Circle Award. He has also published volumes of short stories, poems, plays, essays, a memoir, and he has written for the screen and for television. He is a member of the National Academy and Institute of Arts and Letters and is James B. Duke Professor of English at Duke University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Good work but not the best I've seen.
By David Ackerman
Some beautiful photos but not a thrilling collection.
6 of 6 people found the following review helpful.
Beauty in unexpected places (prudes beware, and be-damned!)
By W. White
This great book is a great book. Not a fine point, though: it is a germinal book, not a seminal one. Parse that etymology and you will find the basis of why these photographs are not exploitive or vulgar, or even voyeuristic (except inasmuch as ALL photographs are voyeuristic). If it makes you uneasy, ask yourself why, and at least entertain the possibility the discomfort originates from your own confusion and mixed impulses, as much or more than anything Mann constructed or expressed. Sure, the controversy surrounding these photographs still elicits tension in the room when she is interviewed, but only the briefest and least thoughtful observation of that tension would conclude that it has it's source in any sense of guilt or personal moral doubt on the part of the photographer. I read the same sort of tension when on the rare occasion that Robert DeNiro has granted interviews for television, someone asks him to say the line "Are you talking to me?" Mere exasperation with a worn out and dull question. Answered, if it were ever relevant at all.
Again: I find virtually nothing exploitive, pornographic, or psychologically damaging (to the subject children, or the photographer), or even very much sexual, at all, here. Nakedness is not necessarily erotic, and naked children not necessarily pedophilic (by such a simplistic standard many National Geographic photos ought to be expunged, or never printed). These are beautiful and arresting photographs. Part of what makes them as compelling as they are is the daring of the subject and how it is treated, with bravery and a clear eye, and in contrast/tension with a viewer's expectation of what such pictures mean or represent, where they belong, and what the intentions and motives of viewers and photographers are with respect to that subject.
15 of 16 people found the following review helpful.
Universally appealing
By kwhitcomb@waccamaw.com
I was unaware of the controversy regarding Mrs. Mann's work until recently and find the harsh words totally unwarranted and the attitudes unbelievable. This book reflects her understanding of what it's like to be a child in a rural environment and has NOTHING to do with pornography.
The nudity which some find so shocking is natural for kids. It's not until later when we learn our bodies are "bad" that we stop displaying them. That some attach the nudity in the shots of her children with sex speaks poorly of them and those who perpetuate this attitude.
This is a wonderful book that most of you will appreciate and identify with, making you recall memories of your own youth. And, if you were brought up in a suburban area you'll even learn some of what it's like being a kid in the country. However, if your looking for a book with snapshots of smiling kids, you'll be disappointed. This is a photo essay on an all too brief time of our lives, with the pictures being neither cute nor pretty, the photographer having chosen instead to show emotion and reality, and has done so beautifully.
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